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This Movie Changed Me Podcast
Host & Executive Producer
What I Learned
In the three years that I hosted and executive produced this podcast, I had the joy of interviewing 50 people whose lives had been truly transformed by movies.
The podcast was often in the top 50 TV & Film Apple Podcasts and received positive reviews from media outlets and listeners alike.
Listener Reviews
But what impacted all of us who worked on TMCM the most – and what we heard about often from listeners in their emails and reviews – was the vulnerability and wisdom of the guests that we featured on the show, guests like writer Naomi Alderman, talking about Groundhog Day.
I interviewed writer Naomi Alderman years ago when I was a producer at NPR. I had pitched a short segment on a new running app called “Zombies, Run!” — I loved the idea that the only way to get some folks to run would be to make zombies chase them — and set up a pre-interview with Naomi, who wrote the story for the game. I became a huge fan of Naomi during that call. Her passion, sense of humor, and singular way of looking at the world were infectious, and after our call, I went out and bought a copy of her beautiful novel Disobedience.
When we started brainstorming guests for season 2 of This Movie Changed Me, Naomi immediately came to my mind. I had no idea if she was a movie fan, but I hoped for it. And when Tony Liu, one of TMCM’s producers, reached out to her, we discovered that Groundhog Day had profoundly changed her life and inspired her to create a new spiritual practice. As she explains in our conversation, “Every now and then, when I feel like I have either been through some hard times or that I’ve somehow become a little bit too blasé about my life, I spend a month, every single day, going to a place that I have not been before.” When Naomi shared this with me, it blew my mind. Her suggestion was something so simple, so practical that I could do in my own city, that would have the wondrous effect of illuminating, as Naomi says, “how amazing it is to just be allowed to be alive right now.”
A Curated List
Explore a few of my favorite episodes from the This Movie Changed Me Podcast below. Or, visit On Being to listen to all episodes.
Danez Smith
The Color Purple
The Color Purple is about the traumas and triumphs of a Black woman named Celie. Set in the Jim Crow South, the story radically centers complicated relationships between Black people, even as whiteness and racism loom in the background. Directed by Steven Spielberg, the movie adaptation of Alice Walker’s classic novel was released in 1985. Both tellings have been beloved companions to Danez Smith, a queer writer and performer. Smith says Walker’s story helped them embrace the messiness of life; “to let life exist best within that brilliant complication that lives somewhere between the joy and pain of a single experience.”
Listen now using the player below. Click here for original interview.
Emily VanDerWerff
Blockers
Blockers tells the story of three teenage girls determined to lose their virginity on prom night; it’s also about their parents mourning the loss of their daughters, watching them grow up and learning to let them go. The 2018 movie, directed by Kay Cannon, has everything you’d expect in a sex comedy: vulgarity, ridiculous gags, and hilarious jokes. It also complicates notions of sexuality and gender in surprising ways. Emily VanDerWerff, a writer and critic-at-large for Vox, was deeply struck by the movie when she first saw it. She realized it was showing her something she never could have imagined: a life for herself as a woman.
Listen now using the player below. Click here for original interview.
Nishta Mehra
The Namesake
The Namesake, an adaptation of Jhumpa Lahiri’s novel, is a moving exploration of the immigrant experience told through the story of the Ganguli family. The parents, Ashoke and Ashima, marry in India and emigrate to New York state, where they raise their two children, Gogol and Sonia. In tracing the lives of two generations of a family, the movie examines not just the opportunity and promise gained from immigrating to a new country, but also all that is lost from one generation to the next. The wholeness of this depiction offered solace to writer Nishta Mehra after her father’s death. For her, the movie mirrored back the parts of her parents’ lives she did not understand as a young person.
Listen now using the player below. Click here for original interview.
Andrea Jenkins
Malcolm X
Spike Lee’s Malcolm X paints a nuanced portrait of a historical icon — as a human being who was constantly searching for his truth and who was willing to change his mind in public, over and over again. The movie takes us through the various chapters of Malcolm X’s life: first as Malcolm Little, then, in his early 20s, as “Detroit Red,” to his rise as Malcolm X, the activist preserved in history books today — and beyond. Activist and poet Andrea Jenkins related to Malcolm X’s experience of transformation and evolution portrayed in the movie. She’s a city council member in Minneapolis and was the first openly transgender black woman elected to office in the United States. She joined us for a live recording and screening of the movie at the Parkway Theater in Minneapolis.
Listen now using the player below. Click here for original interview.
Shea Serrano
Selena
Selena tells the true story of the iconic Tejano singer, played by Jennifer Lopez, who broke barriers in music and fashion until her untimely death at age 23. Like Selena the person, writer Shea Serrano is also a Mexican American from Texas. When he first saw the movie in 1997, he was captivated by all the things it got right about his world — the accents, dialogue, and intimate moments. When he watches it now, he finds new lessons on parenthood in the relationship between Selena and her father, played by Edward James Olmos.
Listen now using the player below. Click here for original interview.
A.O. Scott
Ratatouille
Ratatouille is a Pixar feast. The tale of Remy, a rat who dreams of becoming an excellent chef, is a delight to experience in all five senses. One particular character — Anton Ego, the restaurant critic — brings A. O. Scott back to the heart of his own work as a New York Times’ chief film critic. He says Ratatouille changed how he understands the work of criticism. This conversation is not just about food; it’s a reminder to return to our love for our craft — whether that’s food, movies, or something else altogether.
Listen now using the player below. Click here for original interview.
Photo credits (top banner): Courtney Perry